Nuala Ni Chonchuir’s Of Dublin and Other Fictions: Review and Interview
In Room 313, From Ugly to Alice and Fish the undercurrent of sexual tension reveals the very human vulnerability of the characters. Throughout, and very much in the more fantastical and philosophical stories such as TreeDaughter, Vincent in the Yellow House and The Road that Mills and Boon ®Built the book is both sensuous and gorgeous in language and sentiment. Striking moments of connection leave the reader with an sense of humanity’s enduring journey throughout time – no mean feat for stories that are only a few hundred words long. Whether it is because of this brevity, the flash fiction stories in this chapbook had, for me a particular potency and resonance. It is a collection that will stay with you long after the read and I highly recommend it.
Nuala on flash fiction…
I had a chance to ask Nuala about the particular characteristics and strengths of flash fiction.I wanted to know what she felt the power of flash fiction is. “I love the way flash stories suit the surreal and the odd; they can be about anything and can be driven by language or mood or by the ‘what-happens’, so there’s a lot of scope for experimentation and/or fun within flash. Their power lies in their brevity coupled with the ability to set the mind ticking; they beg re-reading when they are done well. I like that.
As a reader I enjoy a range of flash: a quirky chunk of banter like Kevin Scott’s ‘Sheltered’ (http://www.fracturedwest.com/issue-4/sheltered/); or an emotion-driven short like Thisbe Nissen’s ‘Deer at Rest’ (http://www.obscurajournal.com/Nissen_Deer_at_rest.pdf). I also love short-shorts that delight in language, like ‘Funky Little Blaze Orange Pork Pie Hats’ by Michael Gillan Maxwell (http://www.metazen.ca/?p=13207)”
Since she works also as a poet and a novelist as well as producing this book of flash fictions, I wanted to know if Ni Chonchuir thought that the subject or sentiment dictated the form and what she thought made something fit into flash rather than poetry mode.
“I have really been neglecting poetry for the last year or so. It’s like that part of my brain has shut down while I get on with writing novels. But I can manage flash (maybe because I am in fiction mode?) The other thing, and it just occurs to me, is that my poetry tends to be confessional (not a dirty word, in my book) and I’m not going through any major upheavals lately, so maybe the poems are not there because life is good.
My flash tend to be language- and narrative-driven – so the two things have to collide in my mind and offer me a first line that will take me somewhere interesting. So it’s subject coupled with language coupled with a forward impetus. I think the sentiment (the emotion) grows out of the rest.”
Given the great humour in several of these short fictions, particularly ‘Jesus of Dublin’ and ‘Penny and Leo and Married Bliss’ which comes out best in the voices of your characters. I wondered what Ní Chonchúir thought could be achieved with humour in a very short piece.
I think humour is unexpected in literary fiction – people expect lit fic to be dour and worthy. And I think we are all guilty of feeling this and acting on it – very few writers enter funny stories into lit comps, I find (having judged many of them). I love funny. To me Anne Enright is funny because she uses the self-deprecating, rueful, dark humour that Irish people are good at – we love to laugh, to slag each other, to poke fun. Ulysses is funny, but it’s not the first thing that springs to mind when people think about it. ‘Penny and Leo and Married Bliss’ is a rewriting of the Penelope episode in that novel and I had great fun transposing Molly Bloom’s bawdy humour to the 21st century.
I guess humour works best when it is wedded to something more profound (in Molly’s case, infidelity), so that it achieves more than a mere gag or extended joke – it makes you feel for the character(s). So, while the reader is laughing, she is also being made to think.”
Nuala ni Chonchúir lives in Galway. Nuala’s awards for her writing include RTÉ Radio’s Frances McManus Award and the Dublin Review of Books flash fiction prize. Mother America her fourth short story collection was published by New Island in 2012, her second novel will be published in spring 2014.
Of Dublin and Other Fictions will be available shortly on Amazon and from Tower Press direct.
Alison Wells runs the Random Acts of Optimism blog and lives in Bray, Co. Wicklow with her husband and four children. Her short fiction been published in many magazines and online and print anthologies and she has been featured on Sunday Miscellany. Shortlisted for the Hennessy New Irish Writing Award, Bridport and Fish Prize's she has just completed a themed short story collection Random Acts of Optimism and a literary novel The Book of Remembered Possibilities. To read Alison's full blog, visit Head Above Water. Find out in her Random Acts of Optimism how she manages to juggle writing, children and life.