The wonders of flash fiction
Being a mother of four young children and lacking daily headspace, flash fiction for me has been an ideal format for exploring ideas and producing a substantial body of work in short bursts. Flash fiction can be anything from a few words up to about a thousand words when technically at that point it might be called a short short. A famous example of a six word story is Earnest Hemingway’s ‘For Sale, Baby Shoes, Never Worn’ or there’s my own creation Wedding Dress on hanger. Fast car.
A year ago I ran a competition on my blog to write a story in just forty words. The entries were incredible. I’ve also seen brilliant stories in the 140 characters allowed on twitter.
One of the most significant influences on my writing development over the past eighteen months has been my discovery of the Fridayflash on Twitter. A group of individuals write a piece of flash fiction up to 1000 words long, post it on their blogs, publicize the link to the work on Twitter and log it on a central website. People peer review as many of each other’s flash fiction stories as possible. While this review is often at a high level it’s very encouraging when you know that a particular piece has worked or that people ‘got it’. You do get a sense of which are your strongest pieces.
While you are not bound to produce a flash piece every week, the discipline of doing so, of sitting down on even on a Wednesday and Thursday and saying ‘what now?’ is very productive. I often just choose a sentence that I have jotted down in a notebook as the core of the idea or begin writing the first phrase that comes into my head and adding to it by free association.
The beauty of flash fiction is that you can let yourself go with any idea and take it as far as your imagination allows. What appears is often quirky and original. What I also love about flash fiction (and short stories too) is the way I can take an interesting news, science, nature, history or anecdotal item and explore my fascination within the story. The world is a wonderous place and it’s wonders deserve to be told. For me wordplay is very important, juxtaposing words that sound alike or using the same or similar words to create a theme as I did in a story that in tongue-in-cheek manner name Flash. I used the word ‘flash’ to conjur up the ideas of lightning, the aurora, epilepsy, a father fixing the flashing on his house, the idea of time going too fast for two teenagers that were parting.
My forays into flash through the discipline of FridayFlash have been invaluable. Without it, I never would have produced the body of work that I have, many of the stories would never have been written. One of the pieces that I wrote off the cuff for my weekly flash fiction peer review was accepted by the well respected literary magazine Crannog. Many of the flash pieces seem to have a special quality to them, they give rise to interesting and unique characters who sometimes beg for another appearance, so much so that I decided to write, am working on and hoping to get published sometime, a book of interlinking flash called Flashes of Sadness and Light, interrelated stories of different characters, and scenes that crossover between stories. We catch glimpses of the teenagers Emily and Eddie from Flash much later in life in different circumstances in Sideways. The story about the boy Barry in Close Encounters with Goldfish explains why the adult Barry in Origami Flamingos behaves the way he does.
The beauty of the inherent word limits in flash is that its a fantastic training ground for editing down to the very essence of a story, to make every word work and work hard, maybe even double time. Words can do their work twice. If you put a knife on the kitchen table it describes a scene and possibly the fraught relationship of the protagonists. Ever verb must just say what it has to say, so someone strides instead of walks, or slams instead of closes.
One of my favourite short story collections is Tania Hershman’s The White Road and other stories. What I find enthralling about her work in particular is her ability to draw a character so vividly in sometimes extremely short pieces. Indeed flash fiction often is character as story, your description of a person hints at the nature of their current position and relationships and their possible future.
In terms of audience flash fiction is popular and becoming more so, it is easily and quickly consumed and shared. There are many sites where you can post, submit or read flash fiction, Fictionaut, Metazen and Smokelong Quarterly being just three.
Whether or not you do it with the challenge of a weekly deadline such as in the FridayFlash system or whether you just set yourself a challenge of writing a flash of 40, 250, 500 or 1000 words it is an exercise well worth doing. If you don’t have much time, it may be a good thing, just go for it, get the words on the page, be playful and experimental and you may be surprised at the results. If you haven’t already realised, I’m a little bit, or maybe a lot in love with flash fiction and I know you won’t regret it if you give it a try.
Alison Wells runs the Random Acts of Optimism blog and lives in Bray, Co. Wicklow with her husband and four children. Her short fiction been published in many magazines and online and print anthologies and she has been featured on Sunday Miscellany. Shortlisted for the Hennessy New Irish Writing Award, Bridport and Fish Prize's she has just completed a themed short story collection Random Acts of Optimism and a literary novel The Book of Remembered Possibilities. To read Alison's full blog, visit Head Above Water. Find out in her Random Acts of Optimism how she manages to juggle writing, children and life.