writing_ie-logo

  • www.inkitt.com
gerry-chaney-blogs-header

Guest Blogs

Poetic Rhythm

w-ie-small
Article by Kate Dempsey © 10 April 2011.
Posted in Guest Blogs ().

Let’s get some of the basics of poetry down. Start with rhythm. What is rhythm in poetry? One definition is a musical quality produced by repetition of stressed and unstressed syllables. So much, so unpoetic. Rhythm varies with languages. For instance, Japanese doesn’t really have stresses but we’re dealing with English and Irish so we’re talking stressed syllables

Let’s get some of the basics of poetry down. Start with rhythm. What is rhythm in poetry? One definition is a musical quality produced by repetition of stressed and unstressed syllables. So much, so unpoetic. Rhythm varies with languages. For instance, Japanese doesn’t really have stresses but we’re dealing with English and Irish so we’re talking stressed syllables.

The metre of a line of poetry is the timing of the rhythm, think metronome, not speed. Think beat. Think hip-hop. The beat there is often very regular. This is called scansion. So if someone says your line doesn’t scan, it means there’s something off about the rhythm. Of course, it may be delibrate.

A rhythmic line is usually divided into beats or feet. For example an iambic foot is an unstressed syllable followed by a stressed syllable.unKNOWN, aLONE, tromBONE

My LOVE is LIKE a RED red ROSE

de-dum de-dum de-dum de-dum

There are 4 feet in this line by Robert Burns.

The QUEEN of HEARTS still MAKing TARTS and I not MAKing HAY

6 iambic feet and an incomplete, stressed syllable at the end in this line from Raglan Road by Patrick Kavanagh. Ending on a stressed syllable is known as a masculine ending. Guess what ending on an unstressed syllable is known as? Guess who called it that? Yes, a man.

But the most common is iambic pentameter. 5 iambs. This is basically a natural speaking rhythm. And with one line in one breath, the most common metre of lines by Shakespeare.

Shall I comPARE thee TO a SUMmer’s DAY

de-DUM de-DUM de-DUM de-DUM de-DUM

There’s also trochee. DUM-de.

HUBble BUBble TOIL and TROUble

DUM-de DUM-de DUM-de DUM-de

(from Macbeth) Trochaic Tetrameter.

Irish POets, EARN your TRADE

DUM-de DUM-de DUM-de DUM

(Yeats) a 4 feet line. Trochaic Tetrameter but the final foot is incomplete so it’s called catalectic.

but a couple of lines further down he has:

All OUT of SHAPE from TOE to TOP

with an extra syllable at the start of the line. Called anacrusis.

What about this one:

Twas the NIGHT before CHRISTmas and ALL through the HOUSE

An anapest. de-de-DUM. This line is an anapestic tetrameter. This type of rhythm has a light feel to it.

And this one?

FASTer than FAIRies, FASTer than WITCHes

DUM-de-de DUM-de DUM-de-de DUM-de

(Robert Louis Stevenson) a Dactylic foot then an trochaic, repeated. This mimics the rhythm of the train he was writing about.

There are also:

  • Spondee – two stressed syllables together
  • pyrrhic – two unstressed syllables together (rare, usually used to end dactylic hexameter)

That’s enough theory. Next, why do we care about rhythm.


Follow Kate online, on Twitter and on Facebook.

KATE DEMPSEY runs writing.ie's Poetic License blog and is our poetry guru. She is a writer and a blogger living in Maynooth. She writes fiction and non-fiction as well as poetry and is widely published in Ireland and abroad, in magazines, anthologies and on the radio. She fits this around her family and a full time job, writing on the sofa, on the train and in that little coffeeshop on the corner.

Poetry can be a solitary activity and she appreciates the support she received from the online community, particularly when starting out. She is excited about continuing the dialogue with her blog here.