What do literature and music have in common? More than you might think.
There was time when being a writer and being a musician were two completely separate things. Writers were solitary, reclusive individuals who shuffled around in their pyjamas mumbling to themselves, while musicians were rock gods who strutted the stage, ingested massive quantities of illegal substances, and … well, shall we say, got better acquainted with their female fans. No more. Now writers are rock stars and rock stars are writers.
Some examples of musicians-turned-writers include Bob Dylan, Nick Cave and Leonard Cohen and Patti Smith. On the flip side, there aren’t as many examples of writers-turned-musicians, but there are a few, such as Michel Houellebecq and Neal Pollack. (And, there was a also a band called the “Rock Bottom Remainders”, that featured Stephen King, Amy Tan and Rick Moody, amongst others).
The same applies when it comes to music inspired by literature, and vice versa. Literature has inspired many songs and even entire albums. Led Zeppelin wrote a number of songs inspired by Tolkien’s Lord of The Rings; Peter Gabriel’s “Mercy Street” is based around the work of the poet Anne Sexton; and then, there’s the most obvious example, Kate Bush’s “Wuthering Heights”. Not to mention the wonderfully-titled song by the late Warren Zevon, “Lord Byron’s Luggage”.
Another writer who has been a great source of inspiration to musicians is Edgar Allen Poe. Lou Reed released a double CD concept album calledThe Raven in 2003 that featured a number of musical and spoken-word interpretations of Poe. And, unsurprisingly, many heavy metal bands have made reference to Gothic Horror-writer Poe in their recordings, including Iron Maiden and the wonderfully-named Agathodaimon.
But again, on the flip side, there aren’t as many novels inspired by a specific piece of music. There are many books about music in general, Nick Hornby’s High Fidelity being one great example. There are, however, plenty of novel titles inspired by songs: everything from Douglas Copeland’sGirlfriend in a Coma and Eleanor Rigby to Bret Easton Ellis’s Less than Zero (an Elvis Costello song). (And, disclaimer: I do it too. I stole the name of my blog – “Rant, with Occasional Music” – from Jonathan Lethem’s first novel, Gun, with Occasional Music)
Of course, many people would say that performers such as Bob Dylan and Leonard Cohen are songwriters and poets, musicians and writers. Others – mostly poets – take great umbrage with the idea that a mere pop song could be considered poetry. And while this may be the case with a song like Jedward’s “Lipstick”, what about the staggering oeuvre of someone like Dylan?
So, there is certainly a cross-fertilisation between music and literature, and this is becoming increasingly more so. Kurt Cobain and William Burroughs made an album together; writer Alan Moore has performed spoken-word pieces live on stage with musical accompaniment, as has writer Neil Gaiman, with the added accompaniment of illustrations by artist Eddie Campbell projected on the wall behind him.
With the increasingly easy access to recording equipment and the ability to self-publish or put your writing on the internet, I think this is only likely to increase. There are plans to release e-books with soundtracks, and authors have started compiling “soundtracks” to their novels – the songs that inspired their novels or even original music – and posting them on their websites. (Both of these I will look into in more detail in a later post). It is an exciting time for both music and literature. It has been said many times in recent years that albums and books are dead; they’re not dead, they’re just evolving.
If you have any thoughts on this subject or any suggestions of other writing/music combos, please leave a comment below. I’d love to hear from you.