
The Monstrous-Feminine: Eyes Guts Throat Bones by Moïra Fowley
Female monsters, the monstrous-feminine, and the language of devouring The monstrous-feminine is a term coined

Female monsters, the monstrous-feminine, and the language of devouring The monstrous-feminine is a term coined

The protagonist of my debut novel The Tumbling Girl is Minnie Ward, an intrepid and

Can you juggle? If you’re like me, you will have tried as a child. You’ll

I wrote Whether Violent or Natural in Bray, sitting at a tiny Ikea desk wedged

An interview with Irish-language writer and translator Mícheál Ó hAodha on his recent translation of

Set in the small town of Rye, So Pretty is contemporary gothic novel that follows Teddy

Author Alison Jean Lester reflects on how fiction is often deeply rooted in reality… I

Jude Morrow – An Autistic “Method Author” Authors should have an imagination, although I struggle

A Season at Sanditon by Rose Servitova When Jane Austen died over 200 years ago,

Writing a novel is my way of exploring whatever life question is uppermost in my

I never set out to write a highly personal novel. I first picked up my

I purposefully wrote Polluted Sex on bodies, particularly female and queer bodies; because we write

Before I started writing The Deadwood Encore I had been working on short stories for

The idea for None of This Is Serious did not come to me all at

I have always had a soft spot for folktales. To me, one of the most

‘On The List…’ What does recognition in the form of literary prizes and awards mean

Sometime in the late Autumn of 2019, I started to dwell upon a set of

What is it about the artist on an island? Is it romantic? A romantic notion

Richard Meadows, the principal character in Quiet City, doesn’t know he’s in a thriller. A

When I finished my first novel, Marriage of a Thousand Lies, I searched for months