
Connecting Science and Literature by Timothy Ryan Day
Timothy Ryan Day: connecting Science and Literature in my latest novel. I remember laying in

Timothy Ryan Day: connecting Science and Literature in my latest novel. I remember laying in

Katelyn Emilia Novak: How I Built a Gothic Voice for The Diary of Derek Drummond

Writing the story everyone thinks they know . . . Everyone has an opinion about

Author A. A. Sekhon on how, when it comes to character and plot, the setting

Why do we love stories set in faraway places? I often ask myself this question,

Dara Kavanagh, author of the three historical novels, Prague 1938, Jabberwock and Scorched Earth, on

Melissa Leanne Owen, author of the recently published Crimson Spire: When I write horror, I

How do I write a sex scene? Very carefully. When I originally wrote The Realm

The following quotes from genuine reviews suggest that I’m quite good at getting setting right:

JL Spears, author of Daemon Protocol, tells us: don’t let technology get in the way

A Kind of Magic: 4 Tips for Writing Fantasy Fiction by Dan Coxon, editor of

Tim Robinson, author of The Difficult Wife, on why and how ghost stories make for

The importance of a sense of place in my writing by Gill Perdue . .

Jack Charles, author of the sensational thriller, Barley Sugar on Setting The Scene: Think like

As an author of standalone speculative thrillers, world-building is a critical skill in my armoury,

When writing a novel of fiction, creating suspense and tension for the reader is probably

Ah, conflict: an essential component of any narrative. It’s what makes stories, well, stories —

Look Who’s Talking: Thoughts on Narrative Voice by Lynda Marron When setting out to pen

L.K. Pang on creating an atmospheric ambience for a chilling psychological thriller . . .

Software industry professional, Neil Taylor, debut author of the AI thriller, Anticipation, with some key